‘Dear me. “Michelle, I think that you are the victim of an extremely overactive imagination. And for twelve years he has been so; until his long security, well-nigh obliterating remembrance of the deed, has bred almost a sense of innocence within his breast. In his way he was critical. The door into the passage offered itself with an irresistible invitation—the one alternative to a public, inexplicable passion of weeping.
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