She found herself in a phase of violent reaction against the suffrage movement, a phase greatly promoted by one of those unreasonable objections people of Ann Veronica’s temperament take at times—to the girl in the next cell to her own. It was painted in the early seventeenth century by a minor artist named DuPre. What a pity! But why? There was no way over this puzzle, nor under it, nor around it: that men should drink, knowing the inevitable payment. Her husband finally relented. Ruth was inflammable; she would always be flaring up swiftly, in pity, in tenderness, in anger; she would always be answering impulses, without seeking to weigh or to analyse them. She was an indignant queen, no doubt she was alarmed and disgusted within limits; but she was highly excited, and there was something, some low adventurous strain in her being, some element, subtle at least if base, going about the rioting ways and crowded insurgent meeting-places of her mind declaring that the whole affair was after all—they are the only words that express it—a very great lark indeed. If there is any drinking, I'll do it. "Now, if as I suspect,—from the documents just placed in your possession,—Sir Rowland meditates doing you justice after his departure, it is possible his intentions may be frustrated by the machinations of Wild, whose interest is obviously to prevent such an occurrence, unless we can surprise them together, and, by proving to Sir Rowland that we possess the power of compelling a restitution of your rights, force the other treacherous villain into compliance.
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